WSJ reporter Evan Gershkovich freed from Russian prison in massive prisoner swap

The job of being a journalist around the world can be a dangerous one; reporters literally risk their lives to report the news. The Committee to Protect Journalists (CPJ) reports that in 2023, 99 journalists and media workers were killed worldwide, more than three-fourths of whom were killed covering the Israel–Gaza war. Outside of the war in Gaza, the deaths of journalists were down compared to the 69 deaths in 2022. CPJ also documented 320 journalists who had been imprisoned globally in 2023, with China, Myanmar, Belarus, Russia, and Vietnam leading the list for incarcerations.

The best known of these imprisoned journalists has Evan Gershkovich of the Wall Street Journal, who was detained and jailed on March 29, 2023, in Russia. Gershkovich was an accredited journalist working in Russia when he was arrested based on allegations of being a spy, something both he and the Wall Street Journal vehemently deny. As of July 19, 2024, Gershkovich had been sentenced to 16 years in a Russian penal colony. The Wall Street Journal reported this came after he was “wrongfully convicted in a hurried, secret trial that the U.S. Government has condemned as a sham.”

But on Aug. 1, 2024, he was released as part of an extensive multi-nation prisoner exchange that involved the Russians releasing more than a dozen prisoners in return for multiple Russians being held in the U.S. and Europe, including a convicted assassin. The Journal ran a lengthy article giving the full story on how Gershkovich’s release was secured in what has been described as the most elaborate prisoner swap since the end of the Cold War.

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Everyone’s gone to the movies – Midsummer ’24 edition

  • Remembering the genius that was Robert Towne
    Legendary screenwriter/script doctor Robert Towne died Tuesday, July 2, at the age of 89. He was most famous for writing the original screenplay for the neo-noir Chinatown (1974) as a movie for Jack Nicholson to star in.. That movie also brought Towne his only Oscar. And to be fair, if he never had done anything else, writing Chinatown would have been enough. But he also wrote The Last Detail (1973), Shampoo (1975), The Firm (1993) and the first two Mission: Impossible films (1996 and 2000).

    Those were the films he got screenplay credit for, but his uncredited script doctoring record was even more impressive, with contributions to The Godfather (1972) and Bonnie and Clyde (1967); as well as The Parallax View (1974), The Missouri Breaks (1976), Marathon Man (1976), Heaven Can Wait (1978), Reds (1981), Fatal Attraction (1987), Crimson Tide (1995), and Armageddon (1998).

    But honestly, if you want to understand the brilliance of Towne, pull out a copy of Chinatown, pour a big slug of bourbon, turn down the lights, and lose yourself in the world of 1930s Los Angeles. With direction (and acting!) from Roman Polanski; peerless performances from Nicholson, Faye Dunaway, and John Huston; and one of Jerry Goldsmith’s best scores ever.You’ve got your homework. Go watch.

 

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Thoughts on closing out the ninth edition of Mass Communication

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As I have been closing out work on the ninth edition of Mass Communication: Living in a Media World, it’s amazing to think back on how different things were back in the spring and summer 2020 when I was finishing up the eighth edition. We were still in the midst of the global pandemic lockdown and all the lasting effects the lockdown had on the media industry. Sports teams stopped playing, movies and television shows stopped being produced, theaters were closed, music was being recorded at home or through complex online links, and everyone was just staying home to consume their media.

Now, four years later, we are dealing with the aftermath of how the media industry and media consumers have emerged from that time.

  • Young, and not-so-young, folks are busy engaging with all-things Taylor Swift. It seems impossible to listen to music, watch television, go on social media, watch football… without encountering the megastar.
  •  The movie industry is trying to figure out how to bring people back into theaters in great enough numbers to keep cinemas open. Coming in on top of all the holdups from the pandemic and people getting used to viewing at home, movies (and television) are dealing with the aftermath of lengthy writers’ and actors’ strikes over the last year.
  • American culture is also dealing with a lot of new or revived fears about the media. There have been unprecedented efforts to ban books about race and sexuality from libraries and public schools, and parents are worrying about how social media are affecting teens, especially young women.
  • There are intense concerns as to whether the local news industry can survive steep decline in community newspapers.

And yet, through all of this there are new voices being heard through streaming services and other long-tail media. Independent bookstores are finding fresh relevance as people turn to people, rather than algorithms, for advice on what to read, and millions of people are discovering the joy of the minimally produced NPR Tiny Desk concerts on YouTube.

The COVID-19 pandemic may not be over, but both the media industry and media consumers are trying to find their way to a new normal, and that’s what this ninth edition of Mass Communication: Living in a Media World is going to explore. Thirteen of the chapters have new opening vignettes, highlighting many of the changes that have happened in the media world. All of the chapters have been substantially updated with both new statistics and examples.

As is usually the case when I’m finishing up revisions, the blog has been neglected, but I’m planning on trying to talk here about a lot of the new material coming up in the ninth edition.

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Conflicts between newsroom and management at Washington Post

NOTE: Sorry for the recent lack of posts. I’ve been writing away on the ninth edition of Mass Communication, Living in a Media World that comes out in 2025. Expect to see posts based on some of that material as the summer progresses. In the mean time, here’s a brief look at the recent dust-up at the Washington Post.


One of the central concerns in journalism is having a separation between the newsroom and management. The business side of the newspaper/news outlet should not be interfering with individual story choices in the newsroom. One of the concerns when Jeff Bezos purchased the Washington Post back in 2013 was that he would interfere with the paper’s coverage of his business empire. For the most part, that fear has not been realized. While he has held a hard line with unions, Bezos has, for the most part, let the paper work independent of his influence. Bezos has also been good, in the past, about providing support for good journalism.

The same cannot be said, apparently, for Washington Post CEO and publisher Will Lewis. According to multiple reports, he forced out Post executive editor Sally Buzbee for her work with the paper’s reporting on a phone hacking scandal at British newspapers owned by Rupert Murdoch’s News Corp. Lewis was being mentioned in a British court case over the scandal as an executive who might have been involved with efforts to hide the evidence of the hacking at the newspapers.

NPR’s media reporter David Folkenflik also reported this week on how Lewis tried to seta up a quid pro quo to give Folkenflik an exclusive about reorganization at the Post’s newsroom in return for Folkenflik dropping work on a story about “widespread criminal practices at media mogul Rupert Murdoch’s British tabloids.”

Screenshot

Lewis has denied doing any of these things.

As of this writing, Buzbee has not commented on her sudden departure.

 

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Video Game Examples

 


Atari Pong – First Commercial Video Game?


Mario over the years


Tomb Raider – Girl Power or Male Gaze?


Using Final Fantasy to Create Machinima animation

Mortal Kombat Fatality


Grayson the Fish Playing Pokemon


Presidential Candidate Herman Cain Quotes Pokemon Song

Herman Cain Pokemon Video

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Everyone’s Gone To The Movies: 2024 Oscars Edition

Some thought’s from last night’s Oscar broadcast.

  • People often tell me I see connections between movies that no one else does. For example I think that Rober Zemeckis’ Contact and Ridley Scott’s Prometheus tell thematically similar stories. And I have argued at length that Star Wars Episode 2: Attack of the Clones is essentially an extended tribute to the early films of Ridley Scott. For the record, I know I’m right on Episode 2, and I think I have a strong argument on Prometheus. This year after seeing the brilliant and disturbing Poor Things, I saw connections between it and last year’s Best Picture nominee Triangle of Sadness. Both deal with the conflicts between economic and social classes, and how women can acquire both social and sexual power. Both also have highly disturbing scenes in which the power dynamic changes suddenly. After watching last night’s Oscar telecast, I also realized that Poor Things Bella Baxter (played by Oscar winner Emma Stone) has a lot in common with Margo Robbie’s Barbie. Both characters become gradually aware of deep issues about their existence as they move from being little more than a toy into fully realized human beings. They also both have to come to terms with themselves as sexual beingsWhat do you think?

    Margot Robbie from Barbie, Emma Stone from Poor Things, and Dolly de Leon from Triangle of Sadness.

    Margot Robbie from Barbie, Emma Stone from Poor Things, and Dolly de Leon from Triangle of Sadness.

  • Like my Dear Wife and college friend Rich Ness, I wonder why the Academy had an elaborate interpretive dance number going on during the In Memoriam segment. It was almost as if the producers didn’t trust the audience to care enough about cinematic history to stay tuned in. The presentation on TV actually made it hard to see who was being remembered. To me, this is one of the best segments of the show. Fill the screen with names and images.

https://youtu.be/sM_JK8h42BA?si=m28RwWCqLQwT1C5l

  • I’m a big fan of short films. And while I do not doubt for a minute that Wes Anderson made a brilliant series of short films for Netflix, I really didn’t like him taking home the Oscar. Not because his short lacked merit. I just think that shorts are place for filmmakers just entering into the industry to have a chance to make their mark. Of course an iconic director with access to a top notch crew and a strong budget can make a winning film.But that’s not really the question. I felt the same way when Kobe Bryant’s Dear Basketball, an animated short I adore, won. I mean how is an indie animator supposed to compete with a film directed and animated by Disney legend Glen Keane and scored by John Williams.

  • It’s ok to give an Oscar for Best Song to a tune that is fun and makes you want to sing along. This is no slight to Billy Ellish and her brother Foinneas O’Connell who have won two Best Song trophies for relatively downbeat songs in 2021 and 2023. But if you think about which song defined the summer hit Barbie, it was Ryan Gosling’s I’m Just Ken that had everyone talking, not Elish’s What Was I Made For.  I thought Disney botched it back in 2021 when they nominated Dos Oruguitas from Encanto rather than We Don’t Talk About Bruno that both charted and was on every child’s lips.

https://www.youtube.com/watch?v=wmG0983hPUs

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Interesting Columnists – 2024

Do you have someone you think I should add here? Send me a note and I’ll add them to a future post.

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What happens when a library burns? Depends on what the books are made of

Covers of books about the history of books and libraries.How big of a book nerd am I? While researching book history this morning, I pulled these three volumes out of my personal library. Here’s some of what I found:


Canadian railroad economist Harold Innis wrote one of the most interesting books about the nature of media – Empire and Communications. In it, he argued that any given medium has a bias of lasting a long time or of being easy to distribute. In the ancient world, clay and stone would be durable media biased toward the concept of time, while papyrus and parchment writings were easy to distribute and thus biased toward space.

How well these writing surfaces preserve their documents is fascinating. Lionel Casson, writing in Libraries in the Ancient World, notes that if you burn a library full of papyrus or parchment, the documents all are reduced to ashes, but if the documents are inscribed onto clay tablets, a massive fire would bake the pages into a more permanent form – fired clay.(9e0877) Clay tablets also had the advantage of being inexpensive and easy to produce. They had the disadvantage, of course, of being heavy, bulky, and difficult to transport.

The Sumerian angular cuneiform writing style also worked well with being cut into soft clay. These date back to the third millennium BCE. And their survivability is part of the reason that so much of our early history of writing comes from clay tablets.

Among the most spectacular early documents was a collection of several thousand tablets that had been in a burned room in Syria, dating back to approximately 2300 BCE. While most of these tablets were inventories and business records, there were also tablets that were bilingual word lists, and a pair of tablets contained a copy of a Sumerian myth. Casson says that this was likely a palace scribe’s library.

The most famous of the ancient libraries was the one in Alexandria, Egypt, founded in about 300 BCE. Created by Aristotle, it had books on virtually every topic and was open to the public. At its peak, the library contained more than 490,000 scrolls, some of which contained multiple books or documents, and some of which were duplicates. A popular, but likely incorrect, story says the library burned in 48 BCE, but there is substantial evidence that at least a large part of the library lasted until 270 AD when heavy fighting in Alexandria burned much of the city, likely including the library.

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How Do Social Media Affect Young People?

Frances Haugen was a Facebook product manager whose job was to protect against election interference on the social media site. She worked at the company for nearly two years, departing in May of 2021. During her time at the social media company now known as Meta, she became disillusioned with her work, believing that Facebook was more concerned about “growth and user engagement” than about making sure the web site was a healthy place for people to go to for information.

Before working for Facebook, she had put in time working for Google and social media channel Pinterest. During this time she also had a close friend who radically changed his personality and beliefs after spending large amounts of time online reading material on forums about white nationalism and the occult. This experience made he start questioning how social media might affect young people.

“It’s one thing to study misinformation, it’s another to lose someone to it,” she said. “A lot of people who work on these products only see the positive side of things.”

During her last several months at Facebook, she dug through a large archive of company research and reports that were posted openly to the company’s intranet Facebook Workplace. These documents were the basis of a series of stories published in the Wall Street Journal that argue:

  • Facebook’s rules favor powerful elites, with the usual rules being ignored when it comes to powerful politicians and celebs.
  • The channel’s algorithms promote conflict by promoting engagement instead of reliable information.
  • Their services are used openly by bad actors such as drug cartels and human traffickers.
  • Instagram can have negative effects on vulnerable girls’ mental health.

Haugen eventually leaked six documents about internal research on the effects of Meta’s social media sites that were published about in a series of stories by the Wall Street Journal known as “The Facebook Files.

One of the biggest offenders, according to the Facebook Files, was photo-sharing service Instagram. The company’s own work showed that spending time on Instagram made body image worse for at least one-third of teen girl users. Closely connected were reports that Instagram posts focused heavily on “body image and lifestyle” and that they fostered excessive social comparison.

The Journal found that these negative social media effects tended to be connected specifically to Instagram:

“That is especially true concerning so-called social comparison, which is when people assess their own value in relation to the attractiveness, wealth, and success of others. The tendency to share only the best moments, a pressure to look perfect, and an addictive product can send teens spiraling toward eating disorders, an unhealthy sense of their own bodies, and depression, March 2020 internal [Meta] research states.” 

In response to criticism of how Instagram has engaged with teens and pre-teens, Meta has urged young people to have private accounts and is working at controlling which ads will be shown to them. The company has also said it is working on developing a new product for users under age 13, though as of this writing in the winter of 2024, Meta had only announced new controls on existing products.

The publication of the so-called Facebook Files led to congressional hearings, multiple states suing social media companies, and New York City declaring social media to be a public health hazard because of its effects on young people’s mental health.


According to a study by the Pew Research Center, parents have a wide range of concerns about potential negative effects of social media on teens that may or may not be supported by actual research:

• Being exposed to explicit content
• Wasting too much time on the sites
• Being distracted from completing homework
• Sharing too much about their personal life
• Feeling pressured to act in a certain way
• Being harassed or bullied
• Experiencing problems with anxiety, depression, or lower self-esteem

Parents of girls expressed more concern about problems with anxiety, depression and lower self-esteem than did parents of boys.

Research on social media concerns by parents from the Pew Research Center.


In 2023, the U.S. Surgeon General’s office published an advisory report on “Social Media and Youth Mental Health.” This report looks at both the negative and positive outcomes that might come from young people’s use of social media. In the study the Surgeon General’s office reviewed a wide range of studies, trying to put together a summary of what we know about the subject, as opposed to what teens, parents and politicians think they know.

Overall, the report found that social media is a near universal experience for teens, with nearly 95 percent of those 13-17 reporting using a social media platform. And while children under 13 are supposedly not allowed on social media, research shows that nearly 40 percent of those ages 8-12 use social media.

One clear finding of the study was that while social media may have a variety of effects on young people, “different children and adolescents are affected by social media in different ways, based on their individual strengths and vulnerabilities, and based on cultural, historical, and socio-economic factors.” (In fact, this statement could be applied to virtually all mass communication research every conducted.)

The Surgeon General’s report found that there are potential benefits to youth from using social media including providing connections with people who share similar interests and creating a place for self-expression. Social media can also give young people a chance to interact with a more diverse peer group than they would have access to otherwise. As an example, a 20-year-old Stanford University student said that she liked being able to follow other young women who use wheelchairs on Instagram, which was a positive influence for her.

On the negative side, the report found that adolescents who spent more than three hours per day on social media had double the risk of experiencing symptoms of such as depression and anxiety. One study reviewed in the report found that limiting social media exposure to 30 minutes a day led to “significant improvements in depression severity.”  The report also found support for concerns that social media content could help promote “body dissatisfaction, disordered eating, and depressive symptoms.”

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Ten Accounts I Follow on Threads

This week my JMC 406 Blogging and Commentary students were asked to do one of their first posts by listing 10 Threads accounts they are following and why. You can find my students’ posts using the #JMC406 hashtag. Here’s my swing at the assignment. I’m trying to avoid accounts my students are likely linking to:

  1. postopinions – From the Op/Ed pages of the WaPo
    Sharing a  range of editorials and opinion pieces from the Washington Post.
  2. dkiesow – Damon Kiesow
    Knight Chair in Journalism at Mizzou. Smart commentary on journalism and media business.
  3. grovesprof – Jonathan Groves
    Professor at Drury University and former journalist
  4. jeremyhl – Jeremy Harris Lipschultz
    Social media and journalism professor at UNO, Cubs fan, and media law commentator.
  5. karaswisher – Kara Swisher
    Journalist at the intersection of tech/politics/culture.
  6. oliverdarcy – Oliver Darcy
    Senior media reporter for CNN, produces the…
  7. cnnreliablesources feed.
    For years was the CNN weekly news media show. Now a newsletter.
  8. davidfrenchjag – David French
    Conservative, evangelical columnist for NY Times. Lawyer, veteran.
  9. thebadastronomer – Phil Plait
    Writes about astronomy and other science issues. Has been a speaker on the UNK campus on several occasions.
  10. sixuntilme – Kerri Sparling
    Kerri has been writing about living for diabetes for something like 20 years. She was one of the earliest diabetes bloggers. By the way, she is married to screenwriter Chris Sparling, who wrote the terrifying movie Buried staring Ryan Reynolds.
  11. rosannecash – Rosanne Cash
    Daughter of Johnny, one of my favorite musicians, fantastic performer
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