I went to see director Jon Favreau’s Star Wars: The Mandalorian and Grogu at The Grand Theater in downtown Lincoln, NE Thursday at 9:40 a.m. with my Dear Wife. That may be the earliest screening either of us have seen at a movie theater. I had been looking forward to M&G quite a bit as I had enjoyed the Disney+ series chronicling the adventures of Mando and Baby Yoda.
The Grand is a great place to see a movie, especially on the Ultra DLX screen. It’s not quite IMAX size, and it follows normal widescreen format; but otherwise, it’s nearly the equal of the iconic giant screen experience. And the Grand is only two hours away from home for us out here on the prairie. On the other hand, when I go to the Twin Cities to visit my 98-year-old dad, the IMAX is only 5 minutes away…
So, the critics have been relatively ‘meh’ on the film, giving it a “it’s fine” rating of 62%, making it neither “Rotten” or “Fresh” at review aggregator Rotten Tomatoes. David Sims’ Atlantic review is pretty typical with the uninspiring headline “A Star Wars Movie to Fall Asleep to.” He writes:
“Compared with the most recent Star Wars films, which prompted fierce debate, The Mandalorian and Grogu seems unlikely to truly offend anyone; it is neither a confusing mess nor so offbeat as to divide the fan base. Instead, it’s content to be a nothing burger, two dutiful hours of laser blasts and flat dialogue that will do just enough to keep toys stacked on shelves.”
I can’t disagree with Sims’ review in principle, but I must admit that I did enjoy M&G. The movie was a fun visit to Star Wars friends with a great score, a dose of humor, and a storyline that didn’t demand a master’s degree in Star Warsology. Would I have liked something more? Of course! Did that keep me from having a good time and a smile on my face leaving the theater? Nope? (My Dear Wife enjoyed being out on an out-of-town date, but was not as generous in her response to the movie.)
Louis Chilton, writing for Britain’s The Independent, had what I think is the most fair critical reaction to the film, which pretty much matches my own feelings. With a $165-million world opening weekend, M&G had the lowest modern opening for a Star Wars movie, even less than the financially disappointing Solo: A Star Wars Story. What Chilton says doesn’t get mentioned nearly as much, is that M&G cost only a little more than half of what Solo did, so even with a fairly modest opening (and we are seriously calling $165 million “modest”?) it is still going to make lots of money for The Mouse. It also keeps the adorable Grogu/Baby Yoda in the cultural forefront, it gives a fun family movie experience, and it isn’t weighed down by the enormous level of lore that helped sink 2019’s Episode 9 – The Rise of Skywalker. (Critically sink it… the ninth outing of the original series made more than $1 billion globally.) Perhaps even more importantly, after a host of announced and cancelled Star Wars films, this one made it out the door.
Chilton also is unreserved in his praise for Ludwig Göransson’s score. It’s an impossible task for any composer to live up to the legacy of the John Williams’ nine scores for the Skywalker-themed stories, but he has created a new, gorgeous collection of themes to move the franchise forward. (Göransson is best known for scoring Ryan Coogler’s Black Panther movies along with last-year’s standout Sinners.)
So, would I have liked this to have been a better movie? Sure, why not? But Star Wars: The Mandalorian and Grogu gave me movie joy at the start of the summer. I fell in love with the original Star Wars back when it was initially released back in 1977 when I infamously went to see it every weekend at my local theater in central Iowa. (Yes, I saw it 13 times in its initial release…. This was before home video, and I really liked it…) And now that the franchise is approaching 50 years old, I’m not looking for it to provide the thrills it gave me as a 17-year-old. (Though the Disney+ series Andor has absolutely breathed new life into a franchise that has in many way played out.)
Meanwhile, I can’t wait for Christopher Nolan‘s July release of The Odyssey. I’m going to have a lot to say about both Nolan and his Odyssey as the summer progresses, but you can’t accuse the British auteur of making the same movie over and over again. Apart from his excellent Dark Knight trilogy, all of his films have been unique and individual.
What did you think of Mando and Baby Yoda? And what are you looking forward to this summer?
Artificial Intelligence, AI, especially in its generative AI large language model form, has taken front and center lately in the discussion of contemporary culture. There are all of the awful AI-generated political memes out there, deepfake nude images, faulty legal briefs with “hallucinated” citations, student essays and online discussion board posts created by ChatGPT and its various relations, and endless social media posts with dubious connections with reality created by bots.





